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Thursday, February 14, 2019

Free Essays: Adams The Education :: Adams The Education Essays

The Education The typist who appears next in the passage is a worker named metonymically for the machine she tends, so merged with it, in fact, that she is called a typist even at home. In The Education, Henry Adams proclaims his astonishment at the denizens of the freshly Ameri stinker cities new instances, -- or type-writers, -- telephone and telegraph-girls, shop-clerks, factory hands, running into millions on millions .... Eliots point here seems very close to Adamss. Eliots woman is also a type, identified with her type-writer so thoroughly she becomes it. She is a machine, acting as she does with self-acting hand. The typist is horrifying both because she is reduced by the conditions of labor to a classical dispel and because she is infinitely multiple. In fact, her very status as a type is dependent on a prior reduction from entire to part. She can become one member of Adamss faceless crowd just now by being first reduced to a hand. The typist is the very type of meto nymy, of the social system that accumulates its members by mere aggregation. Yet this type is linked syntactically to Tiresias as well. In fact, the sentence surrenders its nominal subject, Tiresias, in party favour of her. The evening arcminute strives / Homeward, and brings the sailor home from sea, / The typist home at teatime, clears her breakfast, lights / Her stove, and lays place food in tins. The typist shifts in mid-line from object to subject, from passive to active. Does the evening hour clear her breakfast, or should the reader search even farther posterior for an appropriate subject, to Tiresias himself. Though this would hardly clarify the syntax, Tiresias could function logically as both subject and object, seen and seer, because, as the notes tell us, he is the typist All the women ar one woman, and the two sexes meet in Tiresias. The confused syntax represents this demonstrate of identification, erasing ordinary boundaries between active and passive, subject a nd object. On what basis can the typist merge with all other men and women to become part of Tiresias? In other words, what is the figurative relationship between the whole he represents and the part acted by the typist? The process of figurative identification seems similar to that in Prufrock, where women argon also represented as mere arms and where all women atomic number 18 also one woman.

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